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Revealing Jerry Goldsmith’s Mars conspiracy on a new special edition blu of CAPRICORN ONE
Officially breaking out on sale from Down Under to an Arizona soundtage on its fake trip to Mars is Imprint’s deluxe all-region release of CAPRICORN ONE! Producer Daniel Kremer has […]
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Composer MARCO BELTRAMI and editor ZACH STAENBERG talk about doing a KILLER dance of death for filmmaker John Woo on Film Music Live!
Tango with balletic bulletplay on a new Film Music Live videocast as Oscar-nominated composer MARCO BELTRAMI (3:10 to Yuma, Fear Street, The Wolverine) and Academy Award winning editor ZACH STAENBERG […]
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Frédéric Talgorn gorgeously slashes with Jekyll and Hyde for EDGE OF SANITY!
At long last, Frédéric Talgorn’s EDGE OF SANITY now slashes away in its ravishing glory for one of horror scoring’s most striking contrasts between ravishingly gorgeous melody and wonderfully profane […]
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Fully revealing the diabolically beautiful schemes of GABRIEL YARED’s Oscar-nominated THE TALENTED MR. RIPLEY
I’m thrilled to follow up my liner notes to Music Box Records’ release of the Oscar-nominated collaboration between filmmaker Anthony Minghella, composer Gabriel Yared and editor Walter Murch on Cold […]
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FATIMA AL QADIRI creates the image conscious scores of SKINCARE and SEEKING MAVIS BEACON
Fatima Al Qadiri (Photo by James Kelly) One of the most unique composers on the world soundtrack stage who’s bringing an eclectic, indie electronic sound to the film medium is […]
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STEFFEN THUM on the triple threat of SLINGSHOT, STOCKHOLM BLOODBATH and BETRAYAL
Three times is the striking charm for composer Steffen Thum, even when it’s men running amuck in past and future worlds, with the present Scottish woods conjured by Thum’s oft-composing […]
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FREDERIK WIEDMANN shines his Bat Signal on the CAPED CRUSADER for a new Film Music Live!
Put on the mantle of a new Film Music Live videocast as FREDERIK WIEDMANN (Star Trek Picard S3, The Hills Run Red, The Green Lantern) talks about his long musical […]
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KATHRYN BOSTIC dines on the emotionally tasty score of THE SUPREMES AT EARL’S ALL-YOU-CAN-EAT
Emmy-nominated for American Masters’ “Amy Tan Unintended Memoir,” the notably elegant Bostic has created soundtracks that traverse a wide range of films, shows and documentaries that often deal with […]