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DOMINIC LEWIS Kiss-es and tells on his 80’s style stunt music for THE FALL GUY on a new Film Music Live!
Watch a new episode of my Film Music Live videocast as DOMINIC LEWIS (Bullet Train, Violent Night, Spirited) talks about going full 80’s with his rocking musical stunt spectacular for THE FALL GUY where he brings in the Kiss thunder, an original ballad and a Miami Vice boatload of stylistically fun action for his latest…
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THE BALDENWEGS are IN THE LAND OF SAINTS & SINNERS to bring their mutually unique music to Liam Neeson’s particular set of homegrown, troubled skills
Given the usual standard, sometimes exceptional, and now more often than not workmanlike exercises in Irish actor Liam Neeson’s silver fox brand of action hero bad-assery, one can take his seemingly near constant films for granted. But then like some thunderbolt, a Neeson movie like “In the Land of Saints & Sinners” arrives to show…
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CHRISTOPHER YOUNG and ERLINGUR THORODDSEN pay THE PIPER on a new Film Music Live!
Watch a new Film Music Live videocast as CHRISTOPHER YOUNG (Jennifer 8, Sinister, Pet Sematary) and ERLINGUR THORODDSEN (Rift, Cold) talk about collaborating on the blood-soaked classical concert of THE PIPER (score on Intrada). It’s an in depth look at the director-composer dance for this striking horror film, all while Christopher reveals the method to…
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JAY WADLEY brings the American Revolution to France with FRANKLIN
When one thinks of Benjamin Franklin, as previously seen on screen and TV, a portly, eccentric inventor-cum-politician arrives in the mind’s eye, whether it be Howard Da Silva in “1776,” Charles Coburn in “John Paul Jones,” Orson Welles in both “Royal Affairs in Versailles” and “La Fayette” and Tom Wilkinson in the Emmy-winning miniseries “John…
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GEOFF BARROW and BEN SALISBURY reveal their CIVIL WAR battle strategy at Film Music Live!
Watch a new episode of Film Music live as filmmaker Alex Garland’s musical alliance of GEOFF BARROW and BEN SALISBURY (Ex Machina, Annihilation, Men) reveal their always unconventional musical strategy to win a CIVIL WAR whose biggest stylistic battle is taking no sides while still delivering a devastating sonic impact. It’s a deep dive into…
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The Octopus Project grows offbeat big feet with SASQUATCH SUNSET
Josh and Yvonne Lambert and Toto Miranda are The Octopus Project (photo by Chris Bilheimer) As merry pranksters in the great northwestern wilderness, or whatever genre they might choose to unhinge, there’s a great, unplugged energy between the ironic tentacles of the Austin band-turned-composers The Octopus Project and filmmaking brothers David and Nathan Zellner. First…
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MIKE POST travels the musical byways of A MESSAGE FROM THE MOUNTAINS & ECHOES OF THE DELTA on Film Music Live
Tune into a new Film Music Live videocast as the iconic hit composer MIKE POST (The A-Team, Hill Street Blues, LA Law) talks about creating a whole new musical tapestry with “Message from the Mountains & Echoes of the Delta,” a tuneful travelogue through America and its homegrown music that’s a soundtrack of the composer’s…
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The Witch’s MARK KORVEN delivers THE FIRST OMEN
Few composers specializing in horror’s queasier offerings have the unearthly ability to truly get under the skin like Canada’s Mark Korven. Making his scoring debut with the 1987’s delightfully quirky cult comedy “I’ve Heard the Mermaids Singing” almost seems like an aberration given the grotesque mermaid he’d later end up scoring as one of the…
