At long last, Frédéric Talgorn’s EDGE OF SANITY now slashes away in its ravishing glory for one of horror scoring’s most striking contrasts between ravishingly gorgeous melody and wonderfully profane visuals for director Gérard Kikoïne’s blazingly colorful twist of Victorian England with Alphabet City heroin chic, as populated with Madonna-esque strumpets. I’m happy to follow up my Intrada liner notes for Frédéric’s Robot Jox and Delta Force 2 with a new interview as the composer talks about his bloodily lyrical Hollywood splash for Anthony Perkins’ beyond theatrical Jekyll and Hyde. It’s a long-requested musical duality now exhumed in all of its sanguine glory HERE!
